Interestingly, there seems to be two monumental sculptures carved on the façade of the Sphinx-Temple, right above the entrance, on either side.The carvings are heavily eroded, making their identification difficult; but it looks as if the figure on the left could be Kartikeya (Skanda/Murugan) holding his spear (vel); and the figure on the right, a striding Ganesha.
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If we explore the features of the structure, as well as its surrounding complex, it becomes difficult to accept the oft-repeated premise that it has been shaped by natural forces.
Rather, the site looks like a gigantic, rock-cut, architectural complex.
Concealed within the desolate, rocky landscape of the Makran coastline of Southern Balochistan, Pakistan, is an architectural gem that has gone unnoticed and unexplored for centuries.
The ‘Balochistan Sphinx’, as it is popularly called, came into the public eye only after the Makran Coastal Highway opened in 2004, linking Karachi with the port town of Gwadar on the Makran coast.
They wear a tapering crown and ornamental ear-flaps, and have feathered wings attached to their front limbs.